By Katrina Dyonne Thompson
ISBN-10: 0252038258
ISBN-13: 9780252038259
ISBN-10: 0252079833
ISBN-13: 9780252079832
In this bold venture, historian Katrina Thompson examines the conceptualization and staging of race throughout the functionality, occasionally coerced, of black dance from the slave send to the minstrel degree. Drawing on a wealthy number of assets, Thompson explicates how black musical functionality was once utilized by white Europeans and americans to justify enslavement, perpetuate the prevailing racial hierarchy, and masks the brutality of the family slave exchange. even if on slave ships, on the public sale block, or on plantations, whites frequently used coerced performances to oppress and demean the enslaved.
As Thompson indicates, in spite of the fact that, blacks' "backstage" use of musical functionality usually served particularly a special objective. via creolization and different ability, enslaved humans preserved a few local musical and dance traditions and invented or followed new traditions that outfitted neighborhood or even aided rebellion.
Thompson exhibits how those traditions advanced into nineteenth-century minstrelsy and, finally, increases the query of even if modern-day mass media performances and depictions of African americans are so very a ways faraway from their problematical roots.
Read or Download Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery PDF
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Additional info for Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery
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Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery by Katrina Dyonne Thompson
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