By Peter Goldie,Elisabeth Schellekens
ISBN-10: 0199285551
ISBN-13: 9780199285556
ISBN-10: 0199568251
ISBN-13: 9780199568253
Conceptual paintings, extensively understood by way of the individuals as starting with Marcel Duchamp's ready-mades and as carrying on with past the Nineteen Seventies to incorporate a few of present day modern paintings, is grounded within the inspiration that the artist's 'idea' is valuable to paintings, and, opposite to culture, that the cloth paintings is on no account necessary to the paintings as such. to exploit the phrases of the conceptual artist Sol LeWitt, "In conceptual artwork the assumption of the concept that is crucial element of the work...and the execution is a perfunctory affair". Given this so-called "dematerialization" of the paintings item, the emphasis on cognitive worth, and the common entice philosophy via many conceptual artists, there are various questions which are raised through conceptual paintings that are supposed to be of curiosity to analytic philosophers. Why, then, has so little paintings been performed during this sector? This quantity is most likely the 1st number of papers by means of analytic Anglo-American philosophers tackling those matters head-on.
Contributors:
Margaret Boden, Diarmuid Costello, Gregory Currie, David Davies, Peter Goldie, Robert Hopkins, Matthew Kieran, Peter Lamarque, Dominic McIver Lopes, Derek Matravers, Elisabeth Schellekens, Kathleen inventory, Carolyn Wilde, and the "Art & Language" group.
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Philosophy and Conceptual Art by Peter Goldie,Elisabeth Schellekens
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